For a better overview I repeat the two structures above and write down the structure for the following notes together with the name of the modes:Ĭ to C (ionian or simply major): 2 – 2 – 1 – 2 – 2 – 2 – 1ĭ to D (dorian): 2 – 1 – 2 – 2 – 2 – 1 – 2Į to E (phrygian): 1 – 2 – 2 – 2 – 1 – 2 – 2į to F: (lydian): 2 – 2 – 2 – 1 – 2 – 2 – 1 We can now start from every note of the C-major scale and will always get a different structure of the intervals. Now see what happens to this structure if we’re starting the C-Major scale from D:ĭ – E – F – G – A – B – C – D or in intervals: 2 – 1 – 2 – 2 – 2 – 1 – 2 In halftones the structure isĢ (C to D) – 2 (D to E) – 1 (E to F) – 2 (F to G) – 2 (G to A) – 2 (A to B) – 1 (B to C). Let’s have a look at the intervals between the notes. ![]() Our starting point is the C-major scale (C – D – E – F – G – A – B – C). ![]() So here we go (sorry if I’m probably not always using the right terms, I’m no native speaker): It was requested in another thread to explain the theoretical side of the modes.
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